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You can edit your copy of these pages. Each artwork programs itself in the sense that the necessity of the order produced by this programming results from the decisions made within the artwork itself. The rules followed by the artwork in the selection of its forms are generated by this selection, which gradually binds itself. Therefore, the ties do not come from external laws, but from the way the artist began the work of art. The program is the result of operations that themselves perform the programming.

An empirical analysis of the Readymades of Marcel Duchamp was first published by Rhonda Roland Shearer, Stephen Jay Gould et. al., “Why the Hatrack is and/or is not Readymade,” Tout‑Fait. (2000; updated 2019).

Background

Scholarly Discussion

Shearer, et. al.

1918

See also