6 sec / beat · 20 beats / 2:00 scene · amber = mid-atlantic respelling
Sight line
SCENE 01 · 00:00–02:00BEAT 01/20 · 00:00
fashion model. until they told me that I always looked like I had just gotten out of bed.
SCENE 01 · 00:00–02:00BEAT 02/20 · 00:06
Of cawse I always did look like I just gotten out of bed because I had just gotten out of bed.
SCENE 01 · 00:00–02:00BEAT 03/20 · 00:12
Plus the fact that they said I didn't have sheet cayuh hwenevuh that mean. So I went to theah special beauty salon to get my hayuh straight.
SCENE 01 · 00:00–02:00BEAT 04/20 · 00:18
In a hahf an hour I had two bald spots, one heah and one heah.
SCENE 01 · 00:00–02:00BEAT 05/20 · 00:24
Now heah it is stubble. Hwen I ran my head across the top of my scalp, it felt like buhned grahss.
SCENE 01 · 00:00–02:00BEAT 06/20 · 00:30
You know, the the scawched uhth policy and Vietnam. Well, that was my head scawched uhth policy.
SCENE 01 · 00:00–02:00BEAT 07/20 · 00:36
So I went back and said, My deah Mistuh Caruso, you will have to give me a week I simply
SCENE 01 · 00:00–02:00BEAT 08/20 · 00:42
cahn't wuhk with a scawched uhth head. And he said, Oh, making trouble again, all yaw models,
SCENE 01 · 00:00–02:00BEAT 09/20 · 00:48
all you do is make trouble trouble fell off it. Well, I guess I'll have to sue you. So I sued him.
SCENE 01 · 00:00–02:00BEAT 10/20 · 00:54
That was many yeeuhs ago. And it still hasn't come to cawt dyoo to the fact that I was arrested faw contempt of cawt.
SCENE 01 · 00:00–02:00BEAT 11/20 · 01:00
But you know, I was jaywalking. And I had about five tickets, adding up to about $100.
SCENE 01 · 00:00–02:00BEAT 12/20 · 01:06
And if only kept coming to get me so I went. And I was standing theah in LA and
SCENE 01 · 00:00–02:00BEAT 13/20 · 01:12
all these othuh people wuh getting in line ahead of me plunking theah money down.
SCENE 01 · 00:00–02:00BEAT 14/20 · 01:18
And this young lawyuh came up and said, That's the Assistant DA. That's hwy he can get his money down fuhst.
SCENE 01 · 00:00–02:00BEAT 15/20 · 01:24
Just because you don't have any influence in the cawts. Yaw not getting them to put yaw money down. I mean, can you imagine that taking yaw money.
SCENE 01 · 00:00–02:00BEAT 16/20 · 01:30
This is ahftuh sending the 10 different rooms and three different days because I was going to the wrong room wrong tuhm.
SCENE 01 · 00:00–02:00BEAT 17/20 · 01:36
So finding ways to complete rockets in the cawt. And I said,
SCENE 01 · 00:00–02:00BEAT 18/20 · 01:42
Yaw Honaw, she sat theah with the American flag behind him bigguh than life theah you sit with the American flag
SCENE 01 · 00:00–02:00BEAT 19/20 · 01:48
bigguh than life hwile yaw taking bribes from the assistant district attawney. Now just because I don't happen to have
SCENE 01 · 00:00–02:00BEAT 20/20 · 01:54
any Paul in this paht of the country. It's no reason hwy I shouldn't be able to get out of heah.
SCENE 02 · 02:00–04:00BEAT 01/20 · 02:00
My fathuh is a lawyuh and I know all about that legal Hyde Pahk cracy that goes on.
SCENE 02 · 02:00–04:00BEAT 02/20 · 02:06
You should be ashamed. That young lady, stay right theah. I'm sending two policemen and I'm putting you right in jail contempt of cawt.
SCENE 02 · 02:00–04:00BEAT 03/20 · 02:12
And I looked theah and I saw these two jail cells right down the hall and
SCENE 02 · 02:00–04:00BEAT 04/20 · 02:18
I thought I really should go to jail faw the principle of the thing. So grimy. I just couldn't face that.
SCENE 02 · 02:00–04:00BEAT 05/20 · 02:24
I thought God, how long will I rot in jail? So anothuh lawyuh came up and said,
SCENE 02 · 02:00–04:00BEAT 06/20 · 02:30
like this is a very humane judge just apologize to him and everything will be all right.
SCENE 02 · 02:00–04:00BEAT 07/20 · 02:36
So I sat down and stahted to giggle and I couldn't stop giggling. I just sat and giggled and giggled and giggled hwile all these little you know,
SCENE 02 · 02:00–04:00BEAT 08/20 · 02:42
petty thieves came and went muhduhs adulteruhs, no kisses Kenema finally,
SCENE 02 · 02:00–04:00BEAT 09/20 · 02:48
and they had a cop and eithuh side of me and I looked around and I stahted guns. I pulled out my sketchpad and I stahted
SCENE 02 · 02:00–04:00BEAT 10/20 · 02:54
drawing guns and holstuhs and belts and buckles and guns and holstuhs. And they loved the drawings and I
SCENE 02 · 02:00–04:00BEAT 11/20 · 03:00
was passing drawings out to them with guns. I was really crying by this time.
SCENE 02 · 02:00–04:00BEAT 12/20 · 03:06
But hwen I stopped crying, I stahted lahfing with the combination of lahfing and crying and I put yaw honaw, I'm gonna go live with me.
SCENE 02 · 02:00–04:00BEAT 13/20 · 03:12
I'm really terribly sorry, I really didn't mean to be rude to you. He said, All right.
SCENE 02 · 02:00–04:00BEAT 14/20 · 03:18
Don't let it happen again. I'll let you go this time, but just don't let it happen.
SCENE 02 · 02:00–04:00BEAT 15/20 · 03:24
Again, this is A Cawt of Justice, a cawt of law, we have to have awduh in heah. So I went away back to my
SCENE 02 · 02:00–04:00BEAT 16/20 · 03:30
modeling job because I was jaywalking to try to get theah on time as they send you one place
SCENE 02 · 02:00–04:00BEAT 17/20 · 03:36
at nine one place at 931 place at 10 o'clock. So finally, I decided I just had enough.
SCENE 02 · 02:00–04:00BEAT 18/20 · 03:42
And I went way up nawth to the St. Lawrence Rivuh. And then they stahted calling me from America.
SCENE 02 · 02:00–04:00BEAT 19/20 · 03:48
They kept calling me saying Oh, everything you just did. We'd like to do a lot. We'd like you to wuhk with Pam.
SCENE 02 · 02:00–04:00BEAT 20/20 · 03:54
John can make down so I came back down again. And photographuh who was doing the job I had a
SCENE 03 · 04:00–06:00BEAT 01/20 · 04:00
fight with befaw I left so he wasn't very happy to see me. And it was a thuhd retake and
SCENE 03 · 04:00–06:00BEAT 02/20 · 04:06
they had already done and two remains very populah pahticulah time. I'm going to shayuh our Mawgan method.
SCENE 03 · 04:00–06:00BEAT 03/20 · 04:12
I did it on huh route. I did it on me. Oh god. Is that walked into the studio,
SCENE 03 · 04:00–06:00BEAT 04/20 · 04:18
the assistant editaw was looking at the context and she said Cahn't we do something with huh nose right heah?
SCENE 03 · 04:00–06:00BEAT 05/20 · 04:24
I mean that won't do at all. US dropping the dollah now is doesn't look too bad in this hwen not only
SCENE 03 · 04:00–06:00BEAT 06/20 · 04:30
did I not have she cared I do but I did not even have a sheep nose.
SCENE 03 · 04:00–06:00BEAT 07/20 · 04:36
Then she got into my neck. That bow neck. Cahn't we cut that down? Can we do a little retouching?
SCENE 03 · 04:00–06:00BEAT 08/20 · 04:42
Now we've got I had a not bad neck. I mean, I cuhtainly wouldn't call it a bull neck.
SCENE 03 · 04:00–06:00BEAT 09/20 · 04:48
So she got a hold of me latuh and said No, my deah. You know if yaw really serious about this,
SCENE 03 · 04:00–06:00BEAT 10/20 · 04:54
I think that you should go to the museum, the Metropolitan Museum of Aht and study paintings of women from every age
SCENE 03 · 04:00–06:00BEAT 11/20 · 05:00
and take all the magazines and study everything luhn hayuhdos, no makeup luhn style just got I mean it was.
SCENE 03 · 04:00–06:00BEAT 12/20 · 05:06
They said Cleopatra's nose was an inch shawtuh, it would have changed the cawse of history.
SCENE 03 · 04:00–06:00BEAT 13/20 · 05:12
And I said to huh, Well, puhhaps I should have the nose change. And she said, Oh, my deah. Oh, hwy not yaw greatest asset?
SCENE 03 · 04:00–06:00BEAT 14/20 · 05:18
Don't you do it to? And then I fawgot, hwat about the hayuh, puhhaps a bit of straightening?
SCENE 03 · 04:00–06:00BEAT 15/20 · 05:24
Oh, tell change of thing. Just go to the museum and study women. So I didn't think that I needed to
SCENE 03 · 04:00–06:00BEAT 16/20 · 05:30
spend any maw time in the museum. I've spent hahf my life in the museum itself.
SCENE 03 · 04:00–06:00BEAT 17/20 · 05:36
And I said, Well, I guess that just won't wuhk anymaw. Fawget it, I'll do something else. I cahn't think of anything else to say.
SCENE 03 · 04:00–06:00BEAT 18/20 · 05:42
Then, and I'll get hahf the money. So I got not only one, but I found two.
SCENE 03 · 04:00–06:00BEAT 19/20 · 05:48
And I got them both. And they both of them only spent a week at it.
SCENE 03 · 04:00–06:00BEAT 20/20 · 05:54
And managed to find that very wealthy man and went off to travel the wuhld. But I was left holding the bag.
SCENE 04 · 06:00–08:00BEAT 01/20 · 06:00
Next thing you know, I had my mothuh down then Well, I don't think that that yaw sistuh is really teaching school in
SCENE 04 · 06:00–08:00BEAT 02/20 · 06:06
Nyoo Yawk school because I got a postcahd from huh from Africa. You know how Africa it had nothing written on it.
SCENE 04 · 06:00–08:00BEAT 03/20 · 06:12
Just nothing. And I found up in the uppuh left hand cawnuh 26 degrees latitude.
SCENE 04 · 06:00–08:00BEAT 04/20 · 06:18
So I looked it up in the encyclopedia. And it's a 26 degrees latitude of Africa. Now hwat is she doing in Africa?
SCENE 04 · 06:00–08:00BEAT 05/20 · 06:24
Who is suppawting huh? I'd like to know. So I said, Well, puhhaps she has a job wuhking on a steamuh.
SCENE 04 · 06:00–08:00BEAT 06/20 · 06:30
You know, maybe she's a chef aw something she sent me that. I know all about you guhls.
SCENE 04 · 06:00–08:00BEAT 07/20 · 06:36
I know all about you. Yaw no good. Yaw no good. Who's suppawting huh now? 26 degrees latitude.
SCENE 04 · 06:00–08:00BEAT 08/20 · 06:42
Meanwhile, the next one. Oh, yes. Yes. Yes. Yes. Yes. She said making any money at hwat yaw doing?
SCENE 04 · 06:00–08:00BEAT 09/20 · 06:48
Painting anybody by them making any money. Hwy don't you wuhk? Wuhk wuhk. Mom, you ah hwen was the lahst time you wuh?
SCENE 04 · 06:00–08:00BEAT 10/20 · 06:54
Oh, my deah mothuh. My dad has been taking cayuh of you faw the pahst 30 yeeuhs.
SCENE 04 · 06:00–08:00BEAT 11/20 · 07:00
Back hwen you wuh my age, you wuh well ensconced with yaw minks and diamonds. Houses you who's taking cayuh of me.
SCENE 04 · 06:00–08:00BEAT 12/20 · 07:06
So you can think about it Money, money, money, money. Do you evuh have anothuh thought in yaw head but money?
SCENE 04 · 06:00–08:00BEAT 13/20 · 07:12
Just kind of leave? Hwy don't you get out of heah? Bring this big,
SCENE 04 · 06:00–08:00BEAT 14/20 · 07:18
fantastic club cherubs pretty painted on the wall Stanfawd hwite belt it gold gilt you know the the rejects from the 400 You know,
SCENE 04 · 06:00–08:00BEAT 15/20 · 07:24
the faw hundreds grandmothuh's sitting around and theyuh black taffeta dresses and hwite doily lace Cahlos sitting around a table the table and my fathuh saying,
SCENE 04 · 06:00–08:00BEAT 16/20 · 07:30
huh? Watch it and I know people in heah and watch it.
SCENE 04 · 06:00–08:00BEAT 17/20 · 07:36
Tuhn it down, tuhn it down. Be careful. No, I know people. And hwen I said, Well, I don't give a fuck who you know,
SCENE 04 · 06:00–08:00BEAT 18/20 · 07:42
they don't know you. Yeah. You could be just anybody. Meanwhile, ovuh in the othuh cawnuh of the room,
SCENE 04 · 06:00–08:00BEAT 19/20 · 07:48
ships, the one legged millionaiyuh from Switzuhland, who my fathuh put on to us, my deah, calling us hawse who is doing the pimping.
SCENE 04 · 06:00–08:00BEAT 20/20 · 07:54
Who's doing the pimping? Well, he called us up about a yeeuh ago and took guhls,
SCENE 05 · 08:00–10:00BEAT 01/20 · 08:00
you must come and have dinnuh with me. I'm at the club. And he goes, it's wonduhful man.
SCENE 05 · 08:00–10:00BEAT 02/20 · 08:06
I just met Alan's out the banks in Switzuhland. So we went and he said to us now he's
SCENE 05 · 08:00–10:00BEAT 03/20 · 08:12
in the bah and he's coming out. He's got a wooden leg don't mention his limp. Said really?
SCENE 05 · 08:00–10:00BEAT 04/20 · 08:18
Don't we see bow rebounds every day. Don't worry maw sophisticated. We've seen a limb peeuh aw lend theah canes ah nothing nyoo.
SCENE 05 · 08:00–10:00BEAT 05/20 · 08:24
We won't say a wuhd. So you check. The faw of us went to dinnuh.
SCENE 05 · 08:00–10:00BEAT 06/20 · 08:30
And heah is one leg had been one hand unduh the table and one sistuh in one hand and me squeeze on my fathuh's sitting ovuh theah.
SCENE 05 · 08:00–10:00BEAT 07/20 · 08:36
Thank you. Thank you. Oh, yes, I have a wrench to it. You call that a wrench.
SCENE 05 · 08:00–10:00BEAT 08/20 · 08:42
400 Cheap that all died tape. Ahftuh you got the sheep expuhts in Canada down to take cayuh of
SCENE 05 · 08:00–10:00BEAT 09/20 · 08:48
them who tried to rate me by the way. You call that a ranch that scraggly little sheep and you said pay any attention to huh.
SCENE 05 · 08:00–10:00BEAT 10/20 · 08:54
She thinks she could run everything bettuh than I could like nothing bettuh than
SCENE 05 · 08:00–10:00BEAT 11/20 · 09:00
to have my money and run the whole show. And I've had yaw damn right to run into a hell
SCENE 05 · 08:00–10:00BEAT 12/20 · 09:06
of a lot bettuh than you do. Giving you He took out his claim schedule faw the weekend to Texas
SCENE 05 · 08:00–10:00BEAT 13/20 · 09:12
and ahsked my othuh sistuh if she'd like to take a little trip to Texas with him to his ranch.
SCENE 05 · 08:00–10:00BEAT 14/20 · 09:18
And I was getting a little jealous by this tuhm. You know, I wish I could have liked to go to Texas.
SCENE 05 · 08:00–10:00BEAT 15/20 · 09:24
It was awfully hot Nyoo Yawk. It was hot in Texas.
SCENE 05 · 08:00–10:00BEAT 16/20 · 09:30
But anyway, they wuh all those black and gets in all those goldfish ponds, and all those branches and everything else and he was taking Jeannette off to the ranch.
SCENE 05 · 08:00–10:00BEAT 17/20 · 09:36
So he shoved it back in his pocket just as my fathuh came back to the table.
SCENE 05 · 08:00–10:00BEAT 18/20 · 09:42
And so hwat his schedule his planned schedule, you know, should we go TWA aw Eastuhn aw how should
SCENE 05 · 08:00–10:00BEAT 19/20 · 09:48
we go and grab yawself home and the next week? My fathuh comes out and says Well, have you seen wooden leg?
SCENE 05 · 08:00–10:00BEAT 20/20 · 09:54
And I told him no, he called us out but he wouldn't like actually did come to dinnuh
SCENE 06 · 10:00–12:00BEAT 01/20 · 10:00
but we didn't have any fuhnituh aw any breaks aw any food aw anything.
SCENE 06 · 10:00–12:00BEAT 02/20 · 10:06
So he went out and bought Slim Jim smoked sausages faw us to eat faw dinnuh. And he just seemed so elegant.
SCENE 06 · 10:00–12:00BEAT 03/20 · 10:12
Theah we had one wickuh chayuh on a stool with his wooden leg up on the stool and the wickuh chayuh not minding us to know it was wuhking.
SCENE 06 · 10:00–12:00BEAT 04/20 · 10:18
And they wuh everything was just so tense that I left I went out
SCENE 06 · 10:00–12:00BEAT 05/20 · 10:24
and just left I called up somebody and said I cahn't take it down to you.
SCENE 06 · 10:00–12:00BEAT 06/20 · 10:30
So I called my sistuh to kind of know hwat happened and he wanted me to comb my hayuh a different way.
SCENE 06 · 10:00–12:00BEAT 07/20 · 10:36
So I went and got a hayuh brush and stahted calming. No she wouldn't get the hayuh brush and comb huh hayuh.
SCENE 06 · 10:00–12:00BEAT 08/20 · 10:42
She said I don't want to cut my hayuh. I just spent all day in the beauty pahlaw and
SCENE 06 · 10:00–12:00BEAT 09/20 · 10:48
he said let me if you can do a little thing faw me is comb yaw hayuh differently.
SCENE 06 · 10:00–12:00BEAT 10/20 · 10:54
I don't know and he lahfed and I'm so upset. So I said well don't worry it was probably the bayuh floaws
SCENE 06 · 10:00–12:00BEAT 11/20 · 11:00
on the floaws no fuhnituh and no food he thinks hwat kind of a family do they come from ahftuh
SCENE 06 · 10:00–12:00BEAT 12/20 · 11:06
all this talk about ranches and idea somebody's crazy in theah family who is it?
SCENE 06 · 10:00–12:00BEAT 13/20 · 11:12
So I called my fathuh and I said dad we just lost a customuh Hwy Hwy hwat happened? Hwat happened happened?
SCENE 06 · 10:00–12:00BEAT 14/20 · 11:18
I thought he'd like funny nyoo guhls like hwen he was like yaw little myself. So I said well he just disappeared into the cleeuh blue.
SCENE 06 · 10:00–12:00BEAT 15/20 · 11:24
You know we don't have any fuhnituh back from send a rock right down right down.
SCENE 06 · 10:00–12:00BEAT 16/20 · 11:30
So the next day down came wall to wall gold Cahpani. So I thought well now hwat we should do is
SCENE 06 · 10:00–12:00BEAT 17/20 · 11:36
call him up every week until we lost anothuh millionaiyuh and puhhaps we'd get fuhnituh and stereo recawd playuhs and television sets and everything.
SCENE 06 · 10:00–12:00BEAT 18/20 · 11:42
So I stahted calling the next week I said anothuh one just got away.
SCENE 06 · 10:00–12:00BEAT 19/20 · 11:48
Dad, you got to do something about this. So he said, Well, Ron, you've got a Rog, hwat else do you need?
SCENE 06 · 10:00–12:00BEAT 20/20 · 11:54
I'm Yeah, All right, I sit on the rug. I said, Well, look, I mean,
SCENE 07 · 12:00–14:00BEAT 01/20 · 12:00
how would you like to walk into a house and only find a rug? Who said, All right, I'll send you down a couch.
SCENE 07 · 12:00–14:00BEAT 02/20 · 12:06
Well, by the unduh six months, we had the whole place fuhnished. Not a millionaiyuh in sight, though.
SCENE 07 · 12:00–14:00BEAT 03/20 · 12:12
Find me the millionaiyuh came back, and he called me and he said, but I must tell you that every time he reappeared on the scene,
SCENE 07 · 12:00–14:00BEAT 04/20 · 12:18
he has Spain and Switzuhland, and he said, Look at my scah, misguide nanny within a cah crash,
SCENE 07 · 12:00–14:00BEAT 05/20 · 12:24
he not only carried the photograph of the woman who hit him ovuh the head with the chain, because he wouldn't fuck huh.
SCENE 07 · 12:00–14:00BEAT 06/20 · 12:30
But he also carried a photograph of the Jaguah he cracked up in.
SCENE 07 · 12:00–14:00BEAT 07/20 · 12:36
And then the thuhd time he came, it was anothuh accident. Someone beat him up and I said,
SCENE 07 · 12:00–14:00BEAT 08/20 · 12:42
you don't need a wife you need a bodyguahd and a nuhse, somebody to push the hweelchayuh.
SCENE 07 · 12:00–14:00BEAT 09/20 · 12:48
Well, this is just getting back to the story about the postcahd from Morocco. Ah you still running? Well, um,
SCENE 07 · 12:00–14:00BEAT 10/20 · 12:54
we wuh sitting theah talking about the postcahd from Morocco and Metropolitan Club. Theah was theah I looked up and theah was a guhl I had
SCENE 07 · 12:00–14:00BEAT 11/20 · 13:00
known faw yeeuhs with a wooden like, man. And I said, Oh, by the smile, weeuh out.
SCENE 07 · 12:00–14:00BEAT 12/20 · 13:06
They all said they all know each othuh. My mothuh said, I saw huh sitting theah hwen I walked in,
SCENE 07 · 12:00–14:00BEAT 13/20 · 13:12
in the cawnuh chayuh and I said, She doesn't look like she belongs heah. I bet she's meaning that she thinks yaw the SP The trouble is she does.
SCENE 07 · 12:00–14:00BEAT 14/20 · 13:18
My mothuh. And she said I had nevuh met this woman.
SCENE 07 · 12:00–14:00BEAT 15/20 · 13:24
But I nyoo that's who she was heah to me. And in he walked and I nyoo it was him from his
SCENE 07 · 12:00–14:00BEAT 16/20 · 13:30
lamp and showing out if yaw fathuh said, Ah, how ah you? And then she went on and on again
SCENE 07 · 12:00–14:00BEAT 17/20 · 13:36
about I nyoo she'd have to be a friend of you guhls. So the Swiss men,
SCENE 07 · 12:00–14:00BEAT 18/20 · 13:42
she gets the guhl who was having a date with this with the wooden leg guy lahst night.
SCENE 07 · 12:00–14:00BEAT 19/20 · 13:48
And hwen my guy was the one who came and ran off because we didn't have any rugs is still around. Oh yes. He's still around.
SCENE 07 · 12:00–14:00BEAT 20/20 · 13:54
Maybe we should do. And I. I introduced him to Katrina and he gave huh a $300 guitah.
SCENE 08 · 14:00–16:00BEAT 01/20 · 14:00
And then he kept calling me up telling me how cold she was. Well, heahs hwat he would do.
SCENE 08 · 14:00–16:00BEAT 02/20 · 14:06
He would call up and he would say, my dahling, you've nevuh even held his hand. Lankan McKesson.
SCENE 08 · 14:00–16:00BEAT 03/20 · 14:12
I'm gonna say my dahling I'm so lonely heah. I want to see you please come have dinnuh with me and I thought you
SCENE 08 · 14:00–16:00BEAT 04/20 · 14:18
wuh not with my sistuh Anita not too bizarre with you ah loved. But I thought that you wuh in love with that othuh man.
SCENE 08 · 14:00–16:00BEAT 05/20 · 14:24
Hwen I met you, yaw sistuh. She is called. It was always you ah loved.
SCENE 08 · 14:00–16:00BEAT 06/20 · 14:30
Please, please come and see me. So finally, I thought all right. And backtracking you realize this is weeuh bringing
SCENE 08 · 14:00–16:00BEAT 07/20 · 14:36
it up to about six months ago. So I put on my only squayuh dress I could find and went to this horrible,
SCENE 08 · 14:00–16:00BEAT 08/20 · 14:42
horrible expensive rat something like the del Monaco grill. And the waituh came up and said
SCENE 08 · 14:00–16:00BEAT 09/20 · 14:48
med Moselle so I sent them to me and Sue. You wanted me to awduh not having been in one
SCENE 08 · 14:00–16:00BEAT 10/20 · 14:54
of those places since I was five. I wasn't awayuh of the procedures said they brought me clams on the
SCENE 08 · 14:00–16:00BEAT 11/20 · 15:00
hahf shell beautifully done on a stuhling silvuh clown play with the lemon wrapped in gauze so he was spreading yaw eye.
SCENE 08 · 14:00–16:00BEAT 12/20 · 15:06
And everything was so beautiful. I just sat theah staring at it faw about a hahf an hour.
SCENE 08 · 14:00–16:00BEAT 13/20 · 15:12
Of cawse I was stoned out of my mind. I had to tuhn on to even face him.
SCENE 08 · 14:00–16:00BEAT 14/20 · 15:18
And I tuhned to him and befaw we went, I sit out have a little pot on huh cheek have little pot so he's puffing away.
SCENE 08 · 14:00–16:00BEAT 15/20 · 15:24
And we get theah and all I can do is stayuh at the clams.
SCENE 08 · 14:00–16:00BEAT 16/20 · 15:30
I said theyuh so beautiful. Oh, I can eat them. Look at me. Look at this lemon.
SCENE 08 · 14:00–16:00BEAT 17/20 · 15:36
wrapped up like a little bunting A Little Baby Bunting like Christ in His slot.I got him stoned that all I could do was look at it.
SCENE 08 · 14:00–16:00BEAT 18/20 · 15:42
I didn't want to deface it by eating it. You see?
SCENE 08 · 14:00–16:00BEAT 19/20 · 15:48
So oh wooden leg was getting terribly Petuh because I was crazy heah. It takes a stahving creatuh dressed well.
SCENE 08 · 14:00–16:00BEAT 20/20 · 15:54
I had a bearish crepe dress from Jack's flaw managuh was awdinary like this was befaw the mini I was about to heeuh.
SCENE 09 · 16:00–18:00BEAT 01/20 · 16:00
And I had sawt of a ratty long sweatuh and some am baby and three inch spikes. Same faw the restaurant.
SCENE 09 · 16:00–18:00BEAT 02/20 · 16:06
And I kept saying, let me staht pulling out maw photographs. You know, he said, This is the guhl and beat me up.
SCENE 09 · 16:00–18:00BEAT 03/20 · 16:12
So you showed me that six months ago. That's hwat he lives. Oh, man that's not met.
SCENE 09 · 16:00–18:00BEAT 04/20 · 16:18
And then he came up to me and said, he had just gotten an accident again six months ago,
SCENE 09 · 16:00–18:00BEAT 05/20 · 16:24
six weeks ago with the fuhst thing he told us anyway, then things like, like the doctaws, the doctaws told me, I'm a Supuhman, Supuhman.
SCENE 09 · 16:00–18:00BEAT 06/20 · 16:30
I should have been in the hospital faw two yeeuhs, my jaw was cracked up, my teeth wuh falling out.
SCENE 09 · 16:00–18:00BEAT 07/20 · 16:36
I'm a Supuhman. I had my dentist in theah in two days. And he completely fixed me up.
SCENE 09 · 16:00–18:00BEAT 08/20 · 16:42
And I was walked right out of theah and six weeks wiped out so he could get into his next accident.
SCENE 09 · 16:00–18:00BEAT 09/20 · 16:48
Right. So anyway, my fathuh said, Well, I just cahn't unduhstand hwy he isn't seeing yaw sistuh anymaw.
SCENE 09 · 16:00–18:00BEAT 10/20 · 16:54
I mean, maybe he found out about huh pahst. Maybe he found out about huh pahst I said,
SCENE 09 · 16:00–18:00BEAT 11/20 · 17:00
Hwat do you mean, yaw pahst he could, you know, that felt like she was living with?
SCENE 09 · 16:00–18:00BEAT 12/20 · 17:06
I said, Well, I'm shuah he unduhstand that throughout. You know, I'm shuah he's had mistresses this woman hit him in the head with
SCENE 09 · 16:00–18:00BEAT 13/20 · 17:12
the chain because he wouldn't factaw you know, he must have been fucking heah befaw. He said, I'm talking about that.
SCENE 09 · 16:00–18:00BEAT 14/20 · 17:18
And kind of hwat hwat did I bring up? Of cawse, he doesn't have mistresses.
SCENE 09 · 16:00–18:00BEAT 15/20 · 17:24
I mean, I mean, of cawse, he doesn't have women. I mean, He's a fine man, a fine man, a pillah of the community.
SCENE 09 · 16:00–18:00BEAT 16/20 · 17:30
And I said, But dad, he's 50 yeeuhs old Sean, and yaw not trying to say he went through his life without evuh,
SCENE 09 · 16:00–18:00BEAT 17/20 · 17:36
you know, getting laid? And he said, suppose he was divawced aw you divawce?
SCENE 09 · 16:00–18:00BEAT 18/20 · 17:42
Aw divawce Canada divawce? I mean, he already had a married doc to him, right? So getting bored.
SCENE 09 · 16:00–18:00BEAT 19/20 · 17:48
Can we tuhn it off faw a minute? A young guhl should be at the time. I believed him.
SCENE 09 · 16:00–18:00BEAT 20/20 · 17:54
I thought not only am I a manic depressive, paranoid schizophrenic that cetera through the whole Freudian textbook, but on top of that, suddenly,
SCENE 10 · 18:00–20:00BEAT 01/20 · 18:00
I discovered that I'm frigid goodness that I doubled up my visits to the psychiatrist $2 instead of $1.
SCENE 10 · 18:00–20:00BEAT 02/20 · 18:06
TEDx on welfayuh eventually tried to cuh my frigidity. Finally, he stahted talking about sadomasochism, you know with thing and he was very interested in it,
SCENE 10 · 18:00–20:00BEAT 03/20 · 18:12
it seemed he stahted reading the you know, he's Edwahd Stovall recommended it to me, so I read it.
SCENE 10 · 18:00–20:00BEAT 04/20 · 18:18
And I said that a lot of trash the fuhst two chaptuhs of fine but ahftuh you get into it,
SCENE 10 · 18:00–20:00BEAT 05/20 · 18:24
you realize it definitely was not written by any pahty in reality,
SCENE 10 · 18:00–20:00BEAT 06/20 · 18:30
hwatevuh the name was supposed to be some man just like you wrote it to countless women into thinking we should all be math.
SCENE 10 · 18:00–20:00BEAT 07/20 · 18:36
So I went to a literary expuht, who was also and then yes, you know, my unduhground Nyoo Yawk,
SCENE 10 · 18:00–20:00BEAT 08/20 · 18:42
a woman said who did read this book? She said, Well, rock has been but he knows it was done to buy Beretta.
SCENE 10 · 18:00–20:00BEAT 09/20 · 18:48
He knows that tape, hatless was on. deployment. So I thought not only did I get the dope and who wrote the book,
SCENE 10 · 18:00–20:00BEAT 10/20 · 18:54
but I should introduce this woman to this levuh I had now she could find him slayed guhls themselves.
SCENE 10 · 18:00–20:00BEAT 11/20 · 19:00
So I grabbed them up and they hit it off like mad.
SCENE 10 · 18:00–20:00BEAT 12/20 · 19:06
He'd say said to me now theahs a real woman really European woman can you believe it in 1967 he was still talking
SCENE 10 · 18:00–20:00BEAT 13/20 · 19:12
about a European women vuhsus American men. Can you believe it? But anyway well mannered that.
SCENE 10 · 18:00–20:00BEAT 14/20 · 19:18
Well, she was about to defy hwen she had just given buhth. She said anyway, he really dug the whole thing that she
SCENE 10 · 18:00–20:00BEAT 15/20 · 19:24
was really a woman and she nyoo hwat he was talking about. Of cawse hwen he left he said to me, get rid of him.
SCENE 10 · 18:00–20:00BEAT 16/20 · 19:30
Well, anyway, he called me up every day please get me a slave guhl get me slave.
SCENE 10 · 18:00–20:00BEAT 17/20 · 19:36
slave guhl that woman must know some slave guhls ahftuh all, you know this pahty should go to so I said.
SCENE 10 · 18:00–20:00BEAT 18/20 · 19:42
Well, my deah I have suhched Ty alone you will nevuh find a slave guhl that will
SCENE 10 · 18:00–20:00BEAT 19/20 · 19:48
hold yaw interest hahf as much as I so I'll volunteeuh. I'll be right down.
SCENE 10 · 18:00–20:00BEAT 20/20 · 19:54
I was madly in love with him having a nuhvous breakdown that I was frigid. You know but if tried anything so down I went in the taxi He said,
SCENE 11 · 20:00–22:00BEAT 01/20 · 20:00
No, no. Do you take off yaw pant on the way down?
SCENE 11 · 20:00–22:00BEAT 02/20 · 20:06
I want the image of you sitting with a cold taxi leathuh against yaw beeuh. And I said all right,
SCENE 11 · 20:00–22:00BEAT 03/20 · 20:12
I'll do everything so I got down cut my clothes and of cawse it was freezing cold hwipped into a restaurant like
SCENE 11 · 20:00–22:00BEAT 04/20 · 20:18
the ladies room took off might be attacked pants etc. came creeping up the stayuhs and then you don't talk to Doug Taylaw.
SCENE 11 · 20:00–22:00BEAT 05/20 · 20:24
Don't talk. Put yaw hands behind yaw back. Wow. Take off yaw boots.
SCENE 11 · 20:00–22:00BEAT 06/20 · 20:30
Well, he gave me to wax with this hwip that wuh enough. I mean, Christ wouldn't have been able to stand on the cross.
SCENE 11 · 20:00–22:00BEAT 07/20 · 20:36
You know, Fathuh fawgive them. He would have just wrenched himself off and killed whoevuh did it.
SCENE 11 · 20:00–22:00BEAT 08/20 · 20:42
Did that evuh huht to wax on the soles of my feet? But I stahted I actually stahted I thought if theah
SCENE 11 · 20:00–22:00BEAT 09/20 · 20:48
is anything that yaw vuhginity and this is it, I'll do it. I want to be a real woman European style.
SCENE 11 · 20:00–22:00BEAT 10/20 · 20:54
Love it digguh. And he said Nero you couldn't take it. No, you couldn't take it.
SCENE 11 · 20:00–22:00BEAT 11/20 · 21:00
I said, I can take it. I can take it and I won't scream yet. Nanny hit me on the palms of the hands.
SCENE 11 · 20:00–22:00BEAT 12/20 · 21:06
Well, if you think this sounds bad, you should experience Oh, play the piano. Okay. Bye.
SCENE 11 · 20:00–22:00BEAT 13/20 · 21:12
I had a welt on my hand. I thought my hand was dropped. And of cawse I had been used to it
SCENE 11 · 20:00–22:00BEAT 14/20 · 21:18
from daily family squabbles as a child. So then he threw me on the bed and stahted again and I said stop.
SCENE 11 · 20:00–22:00BEAT 15/20 · 21:24
You've got the wrong guhl. Yaw right. I cahn't make the thing I have to be fitted faw the rest of my life.
SCENE 11 · 20:00–22:00BEAT 16/20 · 21:30
You know, he really wanted he really wanted me to beat him up.
SCENE 11 · 20:00–22:00BEAT 17/20 · 21:36
Heah is hwich I came to conclusion of the whole thing. Yeah. But this is going on hwile my sistuh is up
SCENE 11 · 20:00–22:00BEAT 18/20 · 21:42
in the rug was depahtment with the wooden leg gagne telling huh to brush yaw hayuh anothuh way this is
SCENE 11 · 20:00–22:00BEAT 19/20 · 21:48
the same night I went down theah to him to get away from the wooden leg guy.
SCENE 11 · 20:00–22:00BEAT 20/20 · 21:54
And hwat did I run into tawtuh? So I decided to stop seeing him faw a hwile my bruises healed.
SCENE 12 · 22:00–24:00BEAT 01/20 · 22:00
And It's down in the ditch in the wuhld. Now we have you know a cup of tea and little out me
SCENE 12 · 22:00–24:00BEAT 02/20 · 22:06
yelling chatted my back to our intellectual convuhsations talked about Proust and, and Marie Bonapahte who wrote a nyoo book.
SCENE 12 · 22:00–24:00BEAT 03/20 · 22:12
Women sexuality and all that gahbage. Freudian gold. She's a current writuh Marie Bolden, Mary Donna Pat, current writuh straight from the ahms of Freud.
SCENE 12 · 22:00–24:00BEAT 04/20 · 22:18
You see the trouble with theah right don't trust anybody ovuh 30 anybody ovuh 30 is hung up in this Freudian,
SCENE 12 · 22:00–24:00BEAT 05/20 · 22:24
European American women, heterosexual, supuh heterosexual bag. And the way I figuh it out is the supuh heterosexual bag.
SCENE 12 · 22:00–24:00BEAT 06/20 · 22:30
It's just simply sadomasochism picked on sadomasochism faw data. So I went home a
SCENE 12 · 22:00–24:00BEAT 07/20 · 22:36
few weeks latuh I got to be a lesbian and heterosexual if all the heterosexual men I know and theyuh all like that ah like that.
SCENE 12 · 22:00–24:00BEAT 08/20 · 22:42
And it seems that theyuh all like, you know, big pain.
SCENE 12 · 22:00–24:00BEAT 09/20 · 22:48
You have to go to lowuh classes. I tried lowuh clahss, they wuh all empty. T heads.
SCENE 12 · 22:00–24:00BEAT 10/20 · 22:54
Yes, this construction like you said baby, I'm a T had nothing to do with B A T had a T head and I said okay,
SCENE 12 · 22:00–24:00BEAT 11/20 · 23:00
smokes and T so he smokes and T analysis time to get out of the house the othuh day.
SCENE 12 · 22:00–24:00BEAT 12/20 · 23:06
He's a baby. I just got this vision. Yaw going down on me and biting me off.
SCENE 12 · 22:00–24:00BEAT 13/20 · 23:12
And I said, well make shuah you keep the vision because I'm leaving the house right. So I went in the bedroom to
SCENE 12 · 22:00–24:00BEAT 14/20 · 23:18
put on the rest of my mega and he must have just seen a movie Mahlon Brando aw something.
SCENE 12 · 22:00–24:00BEAT 15/20 · 23:24
Because hwen I got to the daw of the bedroom theah he was posed in doawway,
SCENE 12 · 22:00–24:00BEAT 16/20 · 23:30
like behind him dahk in the bedroom and I said, Oh God, do I have to go through this again.
SCENE 12 · 22:00–24:00BEAT 17/20 · 23:36
And I tried to crawl unduh his ahm and he came in to baby to grab me by the hayuh. Shop my head down to my pants.
SCENE 12 · 22:00–24:00BEAT 18/20 · 23:42
I said You must be kidding, but you used to be so gentle and impotent.
SCENE 12 · 22:00–24:00BEAT 19/20 · 23:48
Remembuh pawt Jeff used to go to pawt Jeff to fish and cook clown faw Jeffuhson long and I said remembuh the
SCENE 12 · 22:00–24:00BEAT 20/20 · 23:54
fun used to have a pawt Jack. He nevuh grabbed me by the hayuh on my head.
SCENE 13 · 24:00–26:00BEAT 01/20 · 24:00
I mean, it just grew out ahftuh being you know Vietnam Rabo two yeeuhs ago I finally got it to grow out.
SCENE 13 · 24:00–26:00BEAT 02/20 · 24:06
Don't rip it all out again. It seems that everything runs and parallels. So he kept it up.
SCENE 13 · 24:00–26:00BEAT 03/20 · 24:12
I said, I'm sorry, but I'm gonna have to scream. He didn't think I'd scream so I laid out a piuhcing shriek the doctaw upstayuhs playing the piano.
SCENE 13 · 24:00–26:00BEAT 04/20 · 24:18
All brain suhgeons play the piano in theah spayuh time.
SCENE 13 · 24:00–26:00BEAT 05/20 · 24:24
Did you know that hwile the doctaw upstayuhs was playing the piano, some great Chopin thing, you know,
SCENE 13 · 24:00–26:00BEAT 06/20 · 24:30
the kind they always play in movies hwen somebody is having a nuhvous breakdown in a silk slip, and theah I was unduh this construction man’s ahm,
SCENE 13 · 24:00–26:00BEAT 07/20 · 24:36
screaming my lungs out, and all I could think was, oh God, now I’ve ruined his ahpeggios.
SCENE 13 · 24:00–26:00BEAT 08/20 · 24:42
I mean, imagine it, he’s up theah with his little suhgeon’s finguhs, finguhs that have been in people’s brains all day,
SCENE 13 · 24:00–26:00BEAT 09/20 · 24:48
all clean and pink and intellectual, and unduhneath him is this guhl with hahf a head of hayuh shrieking because some
SCENE 13 · 24:00–26:00BEAT 10/20 · 24:54
man has decided he saw Mahlon Brando once and therefaw owns the doawway. And then the screaming wuhked, hwich was the wuhst paht of it.
SCENE 13 · 24:00–26:00BEAT 11/20 · 25:00
Because if you scream and it doesn’t wuhk, you become a tragic figuh,
SCENE 13 · 24:00–26:00BEAT 12/20 · 25:06
but if you scream and it does wuhk, suddenly you have a method. I thought, my God, this is hwat they mean by liberation.
SCENE 13 · 24:00–26:00BEAT 13/20 · 25:12
Not books, not lectures, not Freud, not Marie Bonapahte, not some man with a hwip telling you you ah not European enough.
SCENE 13 · 24:00–26:00BEAT 14/20 · 25:18
Just a good shriek in a tenement with a brain suhgeon upstayuhs.
SCENE 13 · 24:00–26:00BEAT 15/20 · 25:24
So he let go of me and said, hwat ah you trying to do, wake up the whole building?
SCENE 13 · 24:00–26:00BEAT 16/20 · 25:30
And I said, dahling, the whole building has been awake faw yeeuhs. They’re all sitting in theah unduhweeuh listening through the pipes, pretending to read the Times.
SCENE 13 · 24:00–26:00BEAT 17/20 · 25:36
Then the doctaw upstayuhs stopped playing, and that silence was wuhse than the piano.
SCENE 13 · 24:00–26:00BEAT 18/20 · 25:42
You know hwen someone stops playing the piano and you know everyone is listening? It was like the whole building inhaled.
SCENE 13 · 24:00–26:00BEAT 19/20 · 25:48
And then from upstayuhs I huhd one note, just one note, plink, like judgment. Like he was saying, I’m a doctaw,
SCENE 13 · 24:00–26:00BEAT 20/20 · 25:54
I know hysteria hwen I heeuh it. So I grabbed my coat, and the construction man said, you’re crazy,
SCENE 14 · 26:00–28:00BEAT 01/20 · 26:00
you’re absolutely crazy, and I said, yes, but I’m ambulatory. That’s the difference between us.
SCENE 14 · 26:00–28:00BEAT 02/20 · 26:06
And I walked out with one boot on and one boot in my hand because he had thrown it somewhere, probably trying to be passionate,
SCENE 14 · 26:00–28:00BEAT 03/20 · 26:12
and I had to go down six flights with one bayuh foot, hwich is a very humbling thing in Nyoo Yawk
SCENE 14 · 26:00–28:00BEAT 04/20 · 26:18
because you nevuh know hwat you’re stepping in, and I thought, well, if I die of lockjaw at least
SCENE 14 · 26:00–28:00BEAT 05/20 · 26:24
it will be a woman’s disease at lahst, something respectable with a chaht. So I got into the street and hailed a cab,
SCENE 14 · 26:00–28:00BEAT 06/20 · 26:30
and the cab drivuh looked back and said, lady, you okay? I said, I’m fine, I’ve just been through Westuhn civilization.
SCENE 14 · 26:00–28:00BEAT 07/20 · 26:36
He said, hweah to? And I couldn’t remembuh hweah I lived. I really couldn’t.
SCENE 14 · 26:00–28:00BEAT 08/20 · 26:42
I thought, theah ah only three places faw a woman to go in this city at night, a man’s apahtment, huh mothuh’s apahtment, aw the emuhgency room.
SCENE 14 · 26:00–28:00BEAT 09/20 · 26:48
And all three involve waiting. So I said, just drive. And he said, lady, I don’t just drive.
SCENE 14 · 26:00–28:00BEAT 10/20 · 26:54
I said, hwy not? Isn’t that hwat taxis do? He said, you got to give me an address.
SCENE 14 · 26:00–28:00BEAT 11/20 · 27:00
So I gave him the address of the Metropolitan Museum because that editaw had told me to go study women,
SCENE 14 · 26:00–28:00BEAT 12/20 · 27:06
and I thought, all right, I’ll go study them right now, at two in the mawning with one boot.
SCENE 14 · 26:00–28:00BEAT 13/20 · 27:12
I’ll stand outside those big doaws and look up at all those stone women and say, well, did any of you have sheet cayuh?
SCENE 14 · 26:00–28:00BEAT 14/20 · 27:18
Did any of you have a bull neck? Did any of you evuh have a
SCENE 14 · 26:00–28:00BEAT 15/20 · 27:24
man ahsk you to take off yaw pants in a taxi faw the image of it? But the museum was closed, of cawse.
SCENE 14 · 26:00–28:00BEAT 16/20 · 27:30
Cultuh always closes just hwen you need it. So I sat on the steps and put on my othuh boot,
SCENE 14 · 26:00–28:00BEAT 17/20 · 27:36
and theah was this guahd standing theah looking at me like I was going to steal the obelisk,
SCENE 14 · 26:00–28:00BEAT 18/20 · 27:42
and I said, don’t worry, I’m not going in. I’ve already been educated. And he said, you can’t sit heah.
SCENE 14 · 26:00–28:00BEAT 19/20 · 27:48
I said, hwy not? He said, rules. And I thought, rules, rules, rules.
SCENE 14 · 26:00–28:00BEAT 20/20 · 27:54
Cawts have rules, restaurants have rules, men have rules, beauty salons have rules, even the museum steps have rules.
SCENE 15 · 28:00–30:00BEAT 01/20 · 28:00
Nobody evuh tells you the rules until you’ve broken them, and then suddenly everybody is a constitutional scholah. So I walked down Fifth Avenyoo thinking about rules.
SCENE 15 · 28:00–30:00BEAT 02/20 · 28:06
I thought about my fathuh, who nyoo people, and my mothuh, who nyoo latitude, and my sistuhs,
SCENE 15 · 28:00–30:00BEAT 03/20 · 28:12
who nyoo how to disappeeuh with men and leave me holding the postcahds. And I thought, I’m the only one in the family who doesn’t know anything useful.
SCENE 15 · 28:00–30:00BEAT 04/20 · 28:18
I don’t know how to marry money, I don’t know how to keep
SCENE 15 · 28:00–30:00BEAT 05/20 · 28:24
a man with a wooden leg interested, I don’t know how to get my hayuh straightened without losing acreage,
SCENE 15 · 28:00–30:00BEAT 06/20 · 28:30
I don’t know how to go to cawt without accusing the judge of corruption unduh the flag.
SCENE 15 · 28:00–30:00BEAT 07/20 · 28:36
All I know how to do is leave places dramatically. And even that costs cab fayuh. The next mawning my mothuh called.
SCENE 15 · 28:00–30:00BEAT 08/20 · 28:42
I had not slept, I had one foot black from the stayuhwell, and she said, hweah wuh you lahst night?
SCENE 15 · 28:00–30:00BEAT 09/20 · 28:48
I said, I was studying women. She said, hwat? I said, women, Mothuh. From every age. They told me to study them.
SCENE 15 · 28:00–30:00BEAT 10/20 · 28:54
She said, ah they paying you faw that? And theah it was again, money, money, money, the only religion in the house.
SCENE 15 · 28:00–30:00BEAT 11/20 · 29:00
I said, no, they ah not paying me to study women. She said, then hwy ah you doing it?
SCENE 15 · 28:00–30:00BEAT 12/20 · 29:06
I said, because apparently I am defective in six historical periods. She said, don’t be smaht.
SCENE 15 · 28:00–30:00BEAT 13/20 · 29:12
I said, I’m not smaht. I’m exhausted. She said, yaw sistuh sent anothuh cahd. I said, from Africa?
SCENE 15 · 28:00–30:00BEAT 14/20 · 29:18
She said, no, this one is from somewhere with a stamp that looks like a monkey. I looked it up. It might be Ceylon.
SCENE 15 · 28:00–30:00BEAT 15/20 · 29:24
Aw it might be from a zoo. I said, Mothuh, puhhaps she’s become a missionary. She said, missionary? Yaw sistuh?
SCENE 15 · 28:00–30:00BEAT 16/20 · 29:30
Don’t make me lahf. I know hwat guhls become hwen they travel with no retuhn address. Then she said, ah you making money?
SCENE 15 · 28:00–30:00BEAT 17/20 · 29:36
I said, no. She said, hwy don’t you wuhk? I said, I have been wuhking.
SCENE 15 · 28:00–30:00BEAT 18/20 · 29:42
I was nuhly muhdered by style. She said, everybody is muhdered by something. Yaw fathuh was muhdered by taxes.
SCENE 15 · 28:00–30:00BEAT 19/20 · 29:48
I said, Daddy is alive. She said, spiritually. Spiritually muhdered by taxes. Then she said, hwy don’t you come to lunch?
SCENE 15 · 28:00–30:00BEAT 20/20 · 29:54
I said, I can’t go to that club again. She said, nobody ahsked you to go to the club.
SCENE 16 · 30:00–32:00BEAT 01/20 · 30:00
We’re going to Schrafft’s. I said, that’s wuhse. At the club at least the old women ah embalmed in diamonds.
SCENE 16 · 30:00–32:00BEAT 02/20 · 30:06
At Schrafft’s they’re loose, they’re free-range, they can attack you with menus. But I went. Of cawse I went.
SCENE 16 · 30:00–32:00BEAT 03/20 · 30:12
You always go hwen yaw mothuh calls because even if you don’t believe in God, you believe in guilt.
SCENE 16 · 30:00–32:00BEAT 04/20 · 30:18
I walked in and she was sitting theah with gloves on, eating chicken salad like she was interrogating it.
SCENE 16 · 30:00–32:00BEAT 05/20 · 30:24
She looked at my hayuh and said, hwat happened now? I said, nothing happened now. This is the same old disastuh growing out.
SCENE 16 · 30:00–32:00BEAT 06/20 · 30:30
She said, you should weeuh a hat. I said, I don’t want to weeuh a hat. She said, all women should weeuh hats.
SCENE 16 · 30:00–32:00BEAT 07/20 · 30:36
I said, Mothuh, women weeuh hats hwen society has defeated them from the neck up. She said, don’t be vulgah.
SCENE 16 · 30:00–32:00BEAT 08/20 · 30:42
Then she leaned across the table and hwispered, yaw fathuh says the Swiss man is back.
SCENE 16 · 30:00–32:00BEAT 09/20 · 30:48
I said, the wooden leg? She said, not so loud. I said, Mothuh, the man has a wooden leg, not a secret leg.
SCENE 16 · 30:00–32:00BEAT 10/20 · 30:54
She said, he is very sensitive. I said, he keeps showing everyone photographs of his injuries like holy cahds.
SCENE 16 · 30:00–32:00BEAT 11/20 · 31:00
She said, well, he has suffered. I said, so have I. I have suffered unduh men with all theah limbs.
SCENE 16 · 30:00–32:00BEAT 12/20 · 31:06
At least he has an excuse. She said, yaw fathuh thinks he might be very interested in yaw sistuh again.
SCENE 16 · 30:00–32:00BEAT 13/20 · 31:12
I said, hwich sistuh? She said, hwichevuh one behaves. I said, that narrows it down to nobody.
SCENE 16 · 30:00–32:00BEAT 14/20 · 31:18
Then my fathuh arrived, late, of cawse, with that look men have hwen they entuh a restaurant and expect history to paht faw them.
SCENE 16 · 30:00–32:00BEAT 15/20 · 31:24
He kissed my mothuh on the cheek and said, watch it, I know people heah. He hadn’t even sat down.
SCENE 16 · 30:00–32:00BEAT 16/20 · 31:30
Just entered and wahned us. I said, Daddy, do you know the waitress? He said, don’t staht.
SCENE 16 · 30:00–32:00BEAT 17/20 · 31:36
I said, I just want to know who is safe and who is not. He said, you guhls have no sense of propawtion.
SCENE 16 · 30:00–32:00BEAT 18/20 · 31:42
I said, Daddy, you introduced us to a man with one leg who put his hand unduh
SCENE 16 · 30:00–32:00BEAT 19/20 · 31:48
the table on both of us hwile you talked about sheep. I think we have propawtion. It’s just not yaw propawtion.
SCENE 16 · 30:00–32:00BEAT 20/20 · 31:54
He said, you exaggerate everything. I said, yes, but only to make it accurate.
SCENE 17 · 32:00–34:00BEAT 01/20 · 32:00
He said, you know, that man is a very impawtant man. I said, Daddy, every man you know is impawtant until he tries to put his hand up somebody’s dress,
SCENE 17 · 32:00–34:00BEAT 02/20 · 32:06
and then suddenly he’s misunduhstood. My mothuh said, lowuh yaw voice. I said, hwy?
SCENE 17 · 32:00–34:00BEAT 03/20 · 32:12
Does chicken salad carry? My fathuh said, I don’t like yaw attitude. I said, neithuh do I,
SCENE 17 · 32:00–34:00BEAT 04/20 · 32:18
but it’s the only one that fits since the beauty salon buhned off my altuhnatives. Then he told me I should go back to modeling.
SCENE 17 · 32:00–34:00BEAT 05/20 · 32:24
He said, you had a good thing theah. I said, I had bald spots. He said, hayuh grows.
SCENE 17 · 32:00–34:00BEAT 06/20 · 32:30
I said, cawt cases apparently do not. He said, you should settle. I said, I would settle faw a scalp.
SCENE 17 · 32:00–34:00BEAT 07/20 · 32:36
He said, you always have to make a principle out of everything. I said, somebody has to.
SCENE 17 · 32:00–34:00BEAT 08/20 · 32:42
You people make fuhnituh out of lost millionaires. My mothuh said, that was yaw idea. I said, and a good one.
SCENE 17 · 32:00–34:00BEAT 09/20 · 32:48
We got a couch out of moral collapse. That’s maw than most families get. And then as if summoned by the wuhd millionaiyuh, in came the Swiss man.
SCENE 17 · 32:00–34:00BEAT 10/20 · 32:54
Not with my sistuh, not with the guhl from the club,
SCENE 17 · 32:00–34:00BEAT 11/20 · 33:00
but with a nyoo woman, a very thin woman in a leopahd hat who looked like she had been bawn in a
SCENE 17 · 32:00–34:00BEAT 12/20 · 33:06
dressing room and nevuh found the exit. He came limping ovuh, smiling that brave accident smile, and my fathuh stood up like he was receiving royalty.
SCENE 17 · 32:00–34:00BEAT 13/20 · 33:12
My mothuh put on huh society face, hwich is the same as huh migraine face,
SCENE 17 · 32:00–34:00BEAT 14/20 · 33:18
and I sat theah eating bread because bread is the only honest thing in those places.
SCENE 17 · 32:00–34:00BEAT 15/20 · 33:24
He said, my dahling, to all three of us, hwich was efficient. Then he said, I have just come back from Madrid.
SCENE 17 · 32:00–34:00BEAT 16/20 · 33:30
I said, wuh you hit by anything? He lahfed and said, always you ah joking. I said, no, I’m taking inventory.
SCENE 17 · 32:00–34:00BEAT 17/20 · 33:36
He pulled out a photograph. Of cawse. This time it was not a cah. It was a stayuhcase.
SCENE 17 · 32:00–34:00BEAT 18/20 · 33:42
He had fallen down a stayuhcase in Madrid. He had a photograph of the stayuhcase. Who photographs a stayuhcase ahftuh falling down it?
SCENE 17 · 32:00–34:00BEAT 19/20 · 33:48
He said, this is hweah I nuhly died. I said, it’s very handsome. The stayuhcase, I mean.
SCENE 17 · 32:00–34:00BEAT 20/20 · 33:54
He said, you have no huht. I said, I have a huht, it’s just not in yaw scrapbook.
SCENE 18 · 34:00–36:00BEAT 01/20 · 34:00
The leopahd-hat woman looked at me as though I wuh the vulgah one, hwich I suppose I was,
SCENE 18 · 34:00–36:00BEAT 02/20 · 34:06
but theah is nothing maw vulgah than a woman pretending not to know hwy she is with a rich man. I prefuh the honest ones.
SCENE 18 · 34:00–36:00BEAT 03/20 · 34:12
The honest ones sit down and say, yes, he is hideous, but so is rent. At least that has dignity.
SCENE 18 · 34:00–36:00BEAT 04/20 · 34:18
But this one kept saying, dahling, you mustn’t tiyuh yawself, dahling, yaw poaw leg, dahling, Madrid was too much faw you,
SCENE 18 · 34:00–36:00BEAT 05/20 · 34:24
and I thought, oh, she has found the role. The nuhse-countess. Very populah with injured millionaires.
SCENE 18 · 34:00–36:00BEAT 06/20 · 34:30
You see, I had been trying to be a woman from every age, but I had missed nuhse-countess.
SCENE 18 · 34:00–36:00BEAT 07/20 · 34:36
Nobody at the Metropolitan tells you about nuhse-countess. Then my fathuh said, puhhaps we should all have dinnuh. I said, no. He said, hwy not?
SCENE 18 · 34:00–36:00BEAT 08/20 · 34:42
I said, because the lahst time we all had dinnuh, he tried to puhchase my sistuh with a flight
SCENE 18 · 34:00–36:00BEAT 09/20 · 34:48
schedule and then left our apahtment because theah was no rug. The Swiss man said, ah, but now you have a rug.
SCENE 18 · 34:00–36:00BEAT 10/20 · 34:54
I said, yes, Daddy bought it ahftuh you fled. He said, I did not flee.
SCENE 18 · 34:00–36:00BEAT 11/20 · 35:00
I said, you limped with uhgency. My mothuh kicked me unduh the table. I said, don’t kick me, I’ve just recovered from being disciplined by a heterosexual intellectual.
SCENE 18 · 34:00–36:00BEAT 12/20 · 35:06
That was hwen my fathuh’s face tuhned gray. He said, hwat is that supposed to mean?
SCENE 18 · 34:00–36:00BEAT 13/20 · 35:12
I said, nothing, Daddy. Just that I have been studying Europe privately. My mothuh said, please, not heah.
SCENE 18 · 34:00–36:00BEAT 14/20 · 35:18
I said, hweah? Theah is no private place in America. Apahtments have thin walls, restaurants have mirraws, cawts have flags,
SCENE 18 · 34:00–36:00BEAT 15/20 · 35:24
museums have guahds, and families have telephones. Ahftuh lunch I went to see the psychiatrist because naturally ahftuh seeing my family I needed professional unemployment.
SCENE 18 · 34:00–36:00BEAT 16/20 · 35:30
He was in this little office full of dead plants and Viennese fuhnituh,
SCENE 18 · 34:00–36:00BEAT 17/20 · 35:36
and he always looked as if he had just swallowed a secret. I told him I had screamed, and he said,
SCENE 18 · 34:00–36:00BEAT 18/20 · 35:42
good, very good, puhhaps we ah reaching the primal material. I said, no, we wuh reaching the neighbaws.
SCENE 18 · 34:00–36:00BEAT 19/20 · 35:48
He said, hwat did you feel? I said, cold. I had one boot off. He said, deepuh. I said, linoleum.
SCENE 18 · 34:00–36:00BEAT 20/20 · 35:54
He said, you resist. I said, I resist because hwenevuh I stop resisting somebody calls it femininity. He said, you ah angry at men.
SCENE 19 · 36:00–38:00BEAT 01/20 · 36:00
I said, yes. He wrote that down as if he had discovered radium. I said, don’t write that like it’s nyooz.
SCENE 19 · 36:00–38:00BEAT 02/20 · 36:06
Women have been angry at men since caves. He said, puhhaps you feeuh surrenduh.
SCENE 19 · 36:00–38:00BEAT 03/20 · 36:12
I said, no, I feeuh being bored hwile surrendering. He said, you intellectualize. I said, you invoice. He said, this is hostility.
SCENE 19 · 36:00–38:00BEAT 04/20 · 36:18
I said, this is two dollahs. He said, yaw welfayuh arrangement is highly irregulah. I said, so am I.
SCENE 19 · 36:00–38:00BEAT 05/20 · 36:24
That’s hwy we’re compatible. Then he ahsked about my dreams. I said, I dreamed I was in a beauty salon and all the hayuh dryuhs wuh judges.
SCENE 19 · 36:00–38:00BEAT 06/20 · 36:30
He said, interesting. I said, they kept saying contempt, contempt, contempt,
SCENE 19 · 36:00–38:00BEAT 07/20 · 36:36
and then one of them tuhned into my mothuh and ahsked if I was making money. He said, and hweah was yaw fathuh?
SCENE 19 · 36:00–38:00BEAT 08/20 · 36:42
I said, selling tickets. He said, to whom? I said, to men with canes.
SCENE 19 · 36:00–38:00BEAT 09/20 · 36:48
He got very excited about that, you know, because canes ah practically a whole careeuh to those people. I said, don’t get excited.
SCENE 19 · 36:00–38:00BEAT 10/20 · 36:54
A cane is sometimes just a cane, especially in my family hweah everybody’s falling apaht. He said, you must stop making jokes.
SCENE 19 · 36:00–38:00BEAT 11/20 · 37:00
I said, then I’ll have nothing left but the facts, and the facts ah unbearable. He said, jokes ah defense mechanisms.
SCENE 19 · 36:00–38:00BEAT 12/20 · 37:06
I said, of cawse they ah. Hwat do you want me to defend myself with, a hatpin?
SCENE 19 · 36:00–38:00BEAT 13/20 · 37:12
He said, you ah afraid of yaw own tenduhness. I said, no, I’m afraid of othuh people’s fuhnituh.
SCENE 19 · 36:00–38:00BEAT 14/20 · 37:18
Every time I get tenduh, some man wants me to sit on the flaw because he has no couch aw he wants to beat
SCENE 19 · 36:00–38:00BEAT 15/20 · 37:24
me with a theory aw he wants to show me a photograph of his damaged Jaguah. Tenduhness is not the problem.
SCENE 19 · 36:00–38:00BEAT 16/20 · 37:30
Inventory is the problem. Then he fell asleep. Not completely, but one eye went soft, you know,
SCENE 19 · 36:00–38:00BEAT 17/20 · 37:36
the expensive eye, and I realized I was paying a sleeping man to tell me I was repressed.
SCENE 19 · 36:00–38:00BEAT 18/20 · 37:42
So I stopped talking and stahted drawing his shoes. He woke up and said, hwat ah you doing? I said, sublimating.
SCENE 19 · 36:00–38:00BEAT 19/20 · 37:48
He said, that’s very hostile. I said, they’re hostile shoes. Ahftuh that I decided I would nevuh be cured. Cured of hwat?
SCENE 19 · 36:00–38:00BEAT 20/20 · 37:54
Of being awake? Of noticing? Of not wanting to be hit, retouched, straightened, married, improved, Europeanized, aw seated propuhly?
SCENE 20 · 38:00–40:00BEAT 01/20 · 38:00
They call everything an illness if it keeps you from being convenient. Frigid, hysterical, difficult, neurotic, ahtistic.
SCENE 20 · 38:00–40:00BEAT 02/20 · 38:06
Ahtistic is the nice one they use hwen they want to borrow money from you aw sleep with you.
SCENE 20 · 38:00–40:00BEAT 03/20 · 38:12
Difficult is the one they use hwen you ahsk to be paid. So I went back to the modeling agency, not because I wanted to,
SCENE 20 · 38:00–40:00BEAT 04/20 · 38:18
but because I owed everyone money, including the sleeping psychiatrist, and they had a job faw gloves. Just hands.
SCENE 20 · 38:00–40:00BEAT 05/20 · 38:24
I thought, fine, hands ah safe. Nobody evuh says yaw hands have a bull neck.
SCENE 20 · 38:00–40:00BEAT 06/20 · 38:30
But hwen I got theah, the photographuh looked at my hands and said, can we do something about these? I said, about hwat?
SCENE 20 · 38:00–40:00BEAT 07/20 · 38:36
He said, they’re too expressive. I said, they’re hands. He said, yes, but they look like they’ve lived. I said, they have.
SCENE 20 · 38:00–40:00BEAT 08/20 · 38:42
He said, the client wants innocent hands. I said, puhhaps hiyuh a baby. He said, don’t be difficult.
SCENE 20 · 38:00–40:00BEAT 09/20 · 38:48
Then they brought in a hand consultant. Can you imagine? A hand consultant. A woman whose whole life was cuticles.
SCENE 20 · 38:00–40:00BEAT 10/20 · 38:54
She took my finguhs and tuhned them ovuh like stolen goods and said, you must nevuh wash dishes.
SCENE 20 · 38:00–40:00BEAT 11/20 · 39:00
I said, I don’t own dishes. She said, you must sleep with cream gloves. I said, I don’t sleep with anybody that awganized.
SCENE 20 · 38:00–40:00BEAT 12/20 · 39:06
She said, yaw knuckles ah dramatic. I said, thank you. She said, it wasn’t a compliment.
SCENE 20 · 38:00–40:00BEAT 13/20 · 39:12
I said, I know, but I’m accepting everything now. They put the gloves on me, hwite gloves, the kind women weeuh hwen they’re pretending
SCENE 20 · 38:00–40:00BEAT 14/20 · 39:18
they have nevuh touched themselves aw anybody else, and they told me to hold a cigarette. Not smoke it, hold it.
SCENE 20 · 38:00–40:00BEAT 15/20 · 39:24
The cigarette had to look desired but not used. That’s the whole problem, isn’t it? Desired but not used.
SCENE 20 · 38:00–40:00BEAT 16/20 · 39:30
Women, cigarettes, gloves, apahtments, sistuhs, rich men, even rugs. Everything must look available and untouched.
SCENE 20 · 38:00–40:00BEAT 17/20 · 39:36
I held the cigarette, and the photographuh said, softuh. I held it softuh. He said, maw longing. I longed. He said, less intelligent.
SCENE 20 · 38:00–40:00BEAT 18/20 · 39:42
I said, that I can do; I’ve been training. Then the assistant editaw came in, the same kind of guhl,
SCENE 20 · 38:00–40:00BEAT 19/20 · 39:48
not the same guhl but the same species, all bones and opinion, and said, huh wrists ah wrong. I said, my wrists?
SCENE 20 · 38:00–40:00BEAT 20/20 · 39:54
She said, they’re a little tragic. I said, my wrists have had a hahd week. She said, puhhaps retouch.
SCENE 21 · 40:00–42:00BEAT 01/20 · 40:00
I said, hwy don’t you just draw a guhl? Really. Draw one. Draw a guhl with no wrists,
SCENE 21 · 40:00–42:00BEAT 02/20 · 40:06
no nose, no neck, no scalp, no pahst, no welfayuh, no mothuh, no fathuh, no sistuhs in Africa, no men with wooden legs,
SCENE 21 · 40:00–42:00BEAT 03/20 · 40:12
no intellectuals with hwips, no opinions. Draw huh floating theah in gloves, holding a cigarette she doesn’t smoke, and then pay huh hahf.
SCENE 21 · 40:00–42:00BEAT 04/20 · 40:18
They fired me again. Well, not fired, because models ah nevuh fired.
SCENE 21 · 40:00–42:00BEAT 05/20 · 40:24
They ah simply not called, hwich is maw elegant. Silence with lipstick. So I went home and found my sistuh theah,
SCENE 21 · 40:00–42:00BEAT 06/20 · 40:30
the one who was supposed to be teaching school aw being suppawted by longitude, I nevuh nyoo hwich.
SCENE 21 · 40:00–42:00BEAT 07/20 · 40:36
She was sitting on the rug smoking one of my cigarettes and wearing a dress I had lost two yeeuhs befaw.
SCENE 21 · 40:00–42:00BEAT 08/20 · 40:42
I said, hweah have you been? She said, Morocco. I said, Mothuh said Africa. She said, Morocco is in Africa.
SCENE 21 · 40:00–42:00BEAT 09/20 · 40:48
I said, don’t be geographic with me. She said, I came back because I’m tired. I said, of hwat? She said, being interesting.
SCENE 21 · 40:00–42:00BEAT 10/20 · 40:54
I unduhstood that completely. Being interesting is exhausting. Men want you to be interesting until you interest them in something they didn’t authorize.
SCENE 21 · 40:00–42:00BEAT 11/20 · 41:00
Then they want you to be calm. My sistuh had a tan and a bracelet and
SCENE 21 · 40:00–42:00BEAT 12/20 · 41:06
that look women get hwen they have luhned something expensive. I said, who was suppawting you? She said, various climates.
SCENE 21 · 40:00–42:00BEAT 13/20 · 41:12
I said, Mothuh is going insane ovuh 26 degrees latitude. She said, good, at least she’s luhning geography.
SCENE 21 · 40:00–42:00BEAT 14/20 · 41:18
Then she told me she had met a man who wanted to build a hotel in the desuht and name it ahftuh huh.
SCENE 21 · 40:00–42:00BEAT 15/20 · 41:24
I said, did he? She said, no, he had no money. I said, then hwy wuh you with him?
SCENE 21 · 40:00–42:00BEAT 16/20 · 41:30
She said, he had imagination. I said, dahling, imagination is hwat men call money befaw it arrives.
SCENE 21 · 40:00–42:00BEAT 17/20 · 41:36
She said, you’re bittuh. I said, I’m not bittuh. I’m fuhnished. She looked around the apahtment and said, hweah did all this come from?
SCENE 21 · 40:00–42:00BEAT 18/20 · 41:42
I said, failed seductions. The rug from wooden leg, the couch from almost wooden leg, the lamp from Daddy’s panic,
SCENE 21 · 40:00–42:00BEAT 19/20 · 41:48
the coffee table from the week we pretended a bankuh might come, and the cuhtains from Mothuh deciding cuhtains make povuhty gentile.
SCENE 21 · 40:00–42:00BEAT 20/20 · 41:54
My sistuh said, it’s nice. I said, yes, all it lacks is happiness, but that’s very hahd to finance.
SCENE 22 · 42:00–44:00BEAT 01/20 · 42:00
Then the phone rang. It was my fathuh. He said, is yaw sistuh theah?
SCENE 22 · 42:00–44:00BEAT 02/20 · 42:06
I said, hwich one? He said, don’t play games. I said, Daddy, games ah the only inheritance you gave us.
SCENE 22 · 42:00–44:00BEAT 03/20 · 42:12
He said, tell huh not to go out tonight. I said, hwy? He said, the Swiss man may call.
SCENE 22 · 42:00–44:00BEAT 04/20 · 42:18
I said, she just came back from Morocco. He said, good, she’ll have things to talk about. I said, Daddy, is this a family aw a hotel lobby?
SCENE 22 · 42:00–44:00BEAT 05/20 · 42:24
He said, you guhls don’t unduhstand oppawtunity. I said, oppawtunity is hwat men call it hwen they arrive with resuhvations.
SCENE 22 · 42:00–44:00BEAT 06/20 · 42:30
My sistuh took the phone and said, Daddy, I’m not seeing him.
SCENE 22 · 42:00–44:00BEAT 07/20 · 42:36
Then she listened faw a long time, rolling huh eyes, and finally said, Daddy, I don’t cayuh if he owns paht of Zurich.
SCENE 22 · 42:00–44:00BEAT 08/20 · 42:42
Then she hung up and said, he says I’ll end up alone. I said, we all end up alone.
SCENE 22 · 42:00–44:00BEAT 09/20 · 42:48
The question is hwethuh theah’s a rug. That night we got dressed to go out, not anywhere in pahticulah,
SCENE 22 · 42:00–44:00BEAT 10/20 · 42:54
just out, because sometimes out is the only place you can stand yawself. She waw my dress because of cawse she did,
SCENE 22 · 42:00–44:00BEAT 11/20 · 43:00
and I waw a coat ovuh nothing respectable. We went downtown to some loft hweah everyone was making films
SCENE 22 · 42:00–44:00BEAT 12/20 · 43:06
without film and aht without objects and love without touching. I felt at home immediately.
SCENE 22 · 42:00–44:00BEAT 13/20 · 43:12
Theah wuh guhls painted silvuh, boys in black tuhtlenecks who looked like they had been assembled from cigarettes, paintuhs who nevuh painted, poets who nevuh spoke,
SCENE 22 · 42:00–44:00BEAT 14/20 · 43:18
and one man in a cape who claimed he had been in analysis with someone who had been
SCENE 22 · 42:00–44:00BEAT 15/20 · 43:24
in analysis with someone who had known Freud’s dog. A guhl came up to me and said, ah you in the movie?
SCENE 22 · 42:00–44:00BEAT 16/20 · 43:30
I said, dahling, I’m in several disastuhs. She said, no, the movie. I said, hwat movie?
SCENE 22 · 42:00–44:00BEAT 17/20 · 43:36
She said, the one happening heah. I looked around and said, this is a movie? She said, everything is a movie.
SCENE 22 · 42:00–44:00BEAT 18/20 · 43:42
I thought, that explains a lot. Cawt was a movie, lunch was a movie, modeling was a movie, my family was a movie with bad lighting.
SCENE 22 · 42:00–44:00BEAT 19/20 · 43:48
The only problem was nobody evuh told me hweah to stand until I was standing wrong.
SCENE 22 · 42:00–44:00BEAT 20/20 · 43:54
Then some man with a camera ahsked me to talk. I said, about hwat? He said, anything.
SCENE 23 · 44:00–46:00BEAT 01/20 · 44:00
That was a mistake. Nevuh ahsk a woman with no job, no sleep, and a family like mine to talk about anything.
SCENE 23 · 44:00–46:00BEAT 02/20 · 44:06
I stahted with the beauty salon and somehow ended up with the Swiss man’s stayuhcase in Madrid,
SCENE 23 · 44:00–46:00BEAT 03/20 · 44:12
and everyone sat theah delighted because misery becomes chahm hwen it belongs to someone else. They lahfed and lahfed, and I thought, oh, I see.
SCENE 23 · 44:00–46:00BEAT 04/20 · 44:18
In the agency they pay you not to be yawself, in cawt they jail you faw being yawself,
SCENE 23 · 44:00–46:00BEAT 05/20 · 44:24
in psychiatry they diagnose you faw being yawself, but downtown they photograph it and call it aht.
SCENE 23 · 44:00–46:00BEAT 06/20 · 44:30
So I kept talking. I talked about my mothuh measuring Africa with an encyclopedia, and my fathuh knowing people who didn’t know him,
SCENE 23 · 44:00–46:00BEAT 07/20 · 44:36
and the wooden leg man buying smoked sausages because we had no food, and the hand consultant who found tragedy in my knuckles.
SCENE 23 · 44:00–46:00BEAT 08/20 · 44:42
And the camera just looked at me. It didn’t interrupt, didn’t say lowuh yaw voice,
SCENE 23 · 44:00–46:00BEAT 09/20 · 44:48
didn’t say don’t be difficult, didn’t ahsk if I made money. It just sat theah, black and stupid and devoted.
SCENE 23 · 44:00–46:00BEAT 10/20 · 44:54
I thought, this is the ideal man. One eye, no hands. Aftuhwahds the man with the camera said, that was mahvelous.
SCENE 23 · 44:00–46:00BEAT 11/20 · 45:00
I said, do I get paid? He said, paid? I said, yes, it’s the thing people do hwen they
SCENE 23 · 44:00–46:00BEAT 12/20 · 45:06
take something from you and don’t want to call it theft. He said, we’re all wuhking faw the futuh.
SCENE 23 · 44:00–46:00BEAT 13/20 · 45:12
I said, my landlawd prefuhs the present. He said, you have a very commuhcial mind. I said, only hwen hungry.
SCENE 23 · 44:00–46:00BEAT 14/20 · 45:18
Then a critic came ovuh, very thin, with those glasses that make men look intelligent even hwen they’re only nuhsighted,
SCENE 23 · 44:00–46:00BEAT 15/20 · 45:24
and he said, you have a remahkable puhsona. I said, I have a remahkable rent.
SCENE 23 · 44:00–46:00BEAT 16/20 · 45:30
He said, no, really, the whole fractured female consciousness, the tragicomic self-exposuh, the critique of bawgeois femininity. I said, dahling, I was talking about my hayuh.
SCENE 23 · 44:00–46:00BEAT 17/20 · 45:36
He said, exactly. I said, no, not exactly. Literally. Hayuh. Buhned grahss. Scawched uhth. Bald spots.
SCENE 23 · 44:00–46:00BEAT 18/20 · 45:42
He said, the body as battlefield. I said, if that helps you buy a drink, use it. Then he said, you mustn’t let them exploit you.
SCENE 23 · 44:00–46:00BEAT 19/20 · 45:48
I said, who? He gestured around at everyone. I said, too late.
SCENE 23 · 44:00–46:00BEAT 20/20 · 45:54
I’ve been exploited by beauty, law, family, psychiatry, heterosexuality, and now cinema. Aht is just lahst in line. He said, you’re cynical.
SCENE 24 · 46:00–48:00BEAT 01/20 · 46:00
I said, no, I’m experienced. Cynicism is hwat happens to people who expected bettuh. I nevuh did.
SCENE 24 · 46:00–48:00BEAT 02/20 · 46:06
At about faw in the mawning I went home with my sistuh and found my mothuh sitting in our apahtment.
SCENE 24 · 46:00–48:00BEAT 03/20 · 46:12
Sitting theah on the couch, in gloves, with huh puhse in huh lap, like a detective from finishing school. I said, Mothuh, how did you get in?
SCENE 24 · 46:00–48:00BEAT 04/20 · 46:18
She said, yaw fathuh has a key. I said, hwy? She said, emuhgencies. I said, this family is the emuhgency.
SCENE 24 · 46:00–48:00BEAT 05/20 · 46:24
She said, hweah have you been? My sistuh said, out. My mothuh said, out hweah? I said, out in history.
SCENE 24 · 46:00–48:00BEAT 06/20 · 46:30
She said, don’t staht with me. I’ve been sitting heah three hours. I said, hwy?
SCENE 24 · 46:00–48:00BEAT 07/20 · 46:36
She said, because I wanted to see how you live. I looked around at the rug, the couch, the lamp, the cuhtains,
SCENE 24 · 46:00–48:00BEAT 08/20 · 46:42
the ashtrays, my sistuh’s shoes, my boot still by the radiataw, and I thought, how do we live? By accident.
SCENE 24 · 46:00–48:00BEAT 09/20 · 46:48
By chahm. By debt. By leaving rooms. By answering telephones we should let ring. By eating smoked sausages with millionaires and calling it dinnuh.
SCENE 24 · 46:00–48:00BEAT 10/20 · 46:54
By screaming hwen necessary. By lahfing hwen screaming fails. My mothuh said, it’s not clean.
SCENE 24 · 46:00–48:00BEAT 11/20 · 47:00
I said, neithuh is life. She said, you think everything is funny. I said, no, I think everything is terrible.
SCENE 24 · 46:00–48:00BEAT 12/20 · 47:06
Funny is just hwat comes out hwen I breathe. She said, you’ll see. One day you’ll want security.
SCENE 24 · 46:00–48:00BEAT 13/20 · 47:12
I said, I want security now. I just don’t want to marry a limp faw it. She said, theah ah wuhse things than marriage.
SCENE 24 · 46:00–48:00BEAT 14/20 · 47:18
I said, yes, theah is marriage without fuhnituh. Then she softened, hwich was always dangerous because hwen my
SCENE 24 · 46:00–48:00BEAT 15/20 · 47:24
mothuh softened you saw the guhl she had been, and that was unbearable. She took off one glove and touched my hayuh,
SCENE 24 · 46:00–48:00BEAT 16/20 · 47:30
very gently, hweah the bald spots had grown in unevenly, and she said, does it still huht?
SCENE 24 · 46:00–48:00BEAT 17/20 · 47:36
I said, only hwen people improve me. She said, you wuh such a pretty child. I said, I’m still pretty, Mothuh, just less obedient.
SCENE 24 · 46:00–48:00BEAT 18/20 · 47:42
She said, you make everything so hahd. I said, no, it was hahd already. I just narrate.
SCENE 24 · 46:00–48:00BEAT 19/20 · 47:48
She stahted to cry then, quietly, hwich made me furious because huh crying always made me feel like the
SCENE 24 · 46:00–48:00BEAT 20/20 · 47:54
criminal in a crime I didn’t commit. My sistuh went into the kitchen and pretended to make coffee though we had no coffee.
SCENE 25 · 48:00–50:00BEAT 01/20 · 48:00
I sat next to my mothuh and she said, I worry about you guhls. I said, I know.
SCENE 25 · 48:00–50:00BEAT 02/20 · 48:06
She said, you think I only cayuh about money. I said, you mostly cayuh about money.
SCENE 25 · 48:00–50:00BEAT 03/20 · 48:12
She said, because money is hwat keeps the wolves away. I said, Mothuh, in our family the wolves come recommended by Daddy.
SCENE 25 · 48:00–50:00BEAT 04/20 · 48:18
She lahfed. Just once. A real lahf, not a society lahf. And faw one second I loved huh so much I wanted to fawgive everybody,
SCENE 25 · 48:00–50:00BEAT 05/20 · 48:24
hwich is the most dangerous mood of all. Fawgiveness is like wearing hwite gloves in the rain.
SCENE 25 · 48:00–50:00BEAT 06/20 · 48:30
It looks beautiful faw a minute and then you’re just cold. So I said, do you want a cigarette?
SCENE 25 · 48:00–50:00BEAT 07/20 · 48:36
She said, I don’t smoke. I said, neithuh do the guhls in the ads. They just hold them with longing.
SCENE 25 · 48:00–50:00BEAT 08/20 · 48:42
The next week the lawsuit from the beauty salon resuhfaced. I got a notice to appeeuh, and I thought, wonduhful, the cawts again.
SCENE 25 · 48:00–50:00BEAT 09/20 · 48:48
My scawched uhth head was now a mattuh of law.
SCENE 25 · 48:00–50:00BEAT 10/20 · 48:54
I went down theah in a black dress because black makes everything look intentional, and I saw the same corridaws, the same rooms, the same signs telling you hweah not to be.
SCENE 25 · 48:00–50:00BEAT 11/20 · 49:00
I went to the wrong room twice, of cawse. A man said, you want civil.
SCENE 25 · 48:00–50:00BEAT 12/20 · 49:06
I said, I’m trying to be. He said, no, civil cawt. I said, that remains to be seen.
SCENE 25 · 48:00–50:00BEAT 13/20 · 49:12
Hwen I finally got theah, Mistuh Caruso was sitting with his lawyuh, looking injured,
SCENE 25 · 48:00–50:00BEAT 14/20 · 49:18
hwich was hilarious because I was the one who had been chemically deforested. His lawyuh said they wuh prepared to offuh a settlement. I said, how much?
SCENE 25 · 48:00–50:00BEAT 15/20 · 49:24
He said, fifty dollahs. I said, fifty dollahs? My head looked like Vietnam and you offuh me lunch?
SCENE 25 · 48:00–50:00BEAT 16/20 · 49:30
He said, hayuh grows back. I said, so does resentment. He said, you can’t put a price on emotional distress.
SCENE 25 · 48:00–50:00BEAT 17/20 · 49:36
I said, you just did, and it was insulting. Then the judge came in. Not the same judge from the jaywalking, but all judges ah cousins.
SCENE 25 · 48:00–50:00BEAT 18/20 · 49:42
This one had the same flag, the same high chayuh,
SCENE 25 · 48:00–50:00BEAT 19/20 · 49:48
the same expression of a man who has confused elevation with wisdom. He said, Miss, ah you represented by counsel? I said, spiritually aw legally?
SCENE 25 · 48:00–50:00BEAT 20/20 · 49:54
He said, legally. I said, no. He said, do you unduhstand the proceedings?
SCENE 26 · 50:00–52:00BEAT 01/20 · 50:00
I said, I unduhstand that every room in this building is designed to make women apologize. He said, ahnsuh the question. I said, pahtially. Mistuh
SCENE 26 · 50:00–52:00BEAT 02/20 · 50:06
Caruso’s lawyuh said I had been wahned that my hayuh was fragile. I said, my hayuh was not fragile, it was asleep.
SCENE 26 · 50:00–52:00BEAT 03/20 · 50:12
You woke it up with acid and killed it. He said, she was difficult at the salon.
SCENE 26 · 50:00–52:00BEAT 04/20 · 50:18
I said, I was bald at the salon. Theah’s a difference. The judge said, please confine yawself to the facts.
SCENE 26 · 50:00–52:00BEAT 05/20 · 50:24
I said, Yaw Honaw, facts ah exactly the problem. Everyone keeps tuhning them into attitude. Then they brought in the beautician,
SCENE 26 · 50:00–52:00BEAT 06/20 · 50:30
this little woman with lacquered hayuh so stiff it could have stopped bullets, and she said I had moved dyooring the treatment.
SCENE 26 · 50:00–52:00BEAT 07/20 · 50:36
I said, moved? I breathed. Is that illegal now? She said, you wuh agitated.
SCENE 26 · 50:00–52:00BEAT 08/20 · 50:42
I said, I became agitated hwen smoke rose from my head. She said, theah was no smoke. I said, puhhaps it was my soul leaving through the follicles.
SCENE 26 · 50:00–52:00BEAT 09/20 · 50:48
The judge rubbed his forehead. I recognized that gestuh. Men rub theah foreheads hwen women speak too accurately.
SCENE 26 · 50:00–52:00BEAT 10/20 · 50:54
Finally he said, I suggest both pahties compromise. I said, Yaw Honaw, compromise is hwat happened to my scalp.
SCENE 26 · 50:00–52:00BEAT 11/20 · 51:00
He looked at me, and I thought, heah it comes, contempt again, two policemen, jail cells, guns and holstuhs, the whole American flag routine.
SCENE 26 · 50:00–52:00BEAT 12/20 · 51:06
But instead he smiled a little. Just a little. He said, Miss, I advise you to take the hundred dollahs.
SCENE 26 · 50:00–52:00BEAT 13/20 · 51:12
I said, they offered fifty. He said, I am advising them to offuh one hundred.
SCENE 26 · 50:00–52:00BEAT 14/20 · 51:18
I said, plus cawt costs. He said, don’t push it. I said, that’s hwat they told me in the salon.
SCENE 26 · 50:00–52:00BEAT 15/20 · 51:24
I took the hundred dollahs. Of cawse I did. Principle is glorious, but groceries ah puhsuasive.
SCENE 26 · 50:00–52:00BEAT 16/20 · 51:30
I walked out with the check and felt victorious faw about faw minutes, until I realized a hundred dollahs was exactly hwat I had owed faw jaywalking.
SCENE 26 · 50:00–52:00BEAT 17/20 · 51:36
So the law took my hayuh, paid me back, and collected the money at anothuh window.
SCENE 26 · 50:00–52:00BEAT 18/20 · 51:42
That is justice. A cuhcle with cluhks. I went straight from cawt to the museum. This time it was open.
SCENE 26 · 50:00–52:00BEAT 19/20 · 51:48
I walked through the rooms looking at women. Madonnas, duchesses, nymphs, prostitutes pretending to be goddesses,
SCENE 26 · 50:00–52:00BEAT 20/20 · 51:54
goddesses pretending not to be prostitutes, guhls with puhl earrings, guhls with dead buhds, guhls holding fruit, guhls being abducted by swans, bulls,
SCENE 27 · 52:00–54:00BEAT 01/20 · 52:00
clouds, gods, every fawm of weathuh with intentions. And I thought, every age has had the same idea.
SCENE 27 · 52:00–54:00BEAT 02/20 · 52:06
Put a woman somewhere, arrange the light, and call huh mysterious so you don’t have to ahsk hwat she wants.
SCENE 27 · 52:00–54:00BEAT 03/20 · 52:12
I stood in front of one painting, some pale woman reclining with one hand doing nothing and the othuh hand also doing nothing,
SCENE 27 · 52:00–54:00BEAT 04/20 · 52:18
and this man beside me said, exquisite. I said, she looks tired. He said, pahdon? I said, tired.
SCENE 27 · 52:00–54:00BEAT 05/20 · 52:24
Look at huh. She’s been reclining faw faw hundred yeeuhs. Huh back must be killing huh. He moved away.
SCENE 27 · 52:00–54:00BEAT 06/20 · 52:30
People in museums do not like practical sympathy. Then I found a room with ahmaw.
SCENE 27 · 52:00–54:00BEAT 07/20 · 52:36
Suits of ahmaw everywhere, empty men standing proudly with no men inside them. I loved that room. Finally, honest pawtraituh. No faces, no excuses, just metal shaped like feeuh.
SCENE 27 · 52:00–54:00BEAT 08/20 · 52:42
I thought, this is hwat all those men wanted anyway, the construction man, the psychiatrist, the Swiss man, the photographuh, my fathuh.
SCENE 27 · 52:00–54:00BEAT 09/20 · 52:48
Ahmaw. Something shiny around the panic. Women ah told to be soft because men ah already hahd from fright.
SCENE 27 · 52:00–54:00BEAT 10/20 · 52:54
So I decided I was through studying women. I had studied them enough. I would study exits.
SCENE 27 · 52:00–54:00BEAT 11/20 · 53:00
Every room has one, even if it’s only a window aw a scream aw a joke aw a cab you can’t affawd.
SCENE 27 · 52:00–54:00BEAT 12/20 · 53:06
The trick is not to become the painting. The trick is to walk out of the frame befaw they finish the label.
SCENE 27 · 52:00–54:00BEAT 13/20 · 53:12
That night I tried to explain this to my sistuh.
SCENE 27 · 52:00–54:00BEAT 14/20 · 53:18
I said, we must stop becoming stories men tell about themselves. She said, hwat? I said, we ah always the evidence.
SCENE 27 · 52:00–54:00BEAT 15/20 · 53:24
Evidence that they ah generous, tragic, virile, intellectual, wounded, European, ahtistic, misunduhstood. Even Daddy uses us as evidence that he knows impawtant people.
SCENE 27 · 52:00–54:00BEAT 16/20 · 53:30
She said, hwat should we be instead? I said, unreliable witnesses. She said, I like that. Then the phone rang again.
SCENE 27 · 52:00–54:00BEAT 17/20 · 53:36
It was the Swiss man. Of cawse. He said, my dahling, I heeuh you have been unkind to me.
SCENE 27 · 52:00–54:00BEAT 18/20 · 53:42
I said, from whom? He said, people talk. I said, people limp too, but I don’t make a philosophy of it.
SCENE 27 · 52:00–54:00BEAT 19/20 · 53:48
He said, I wanted only to help you guhls. I said, then send cash and don’t visit.
SCENE 27 · 52:00–54:00BEAT 20/20 · 53:54
He said, you ah cruel. I said, no, I am concise. He said, yaw sistuh is theah? I said, hwich one?
SCENE 28 · 54:00–56:00BEAT 01/20 · 54:00
He said, the beautiful one. I said, we’re all the beautiful one depending on lighting and desperation.
SCENE 28 · 54:00–56:00BEAT 02/20 · 54:06
He said, I want to take huh to dinnuh. I said, she’s studying. He said, studying hwat? I said, exits. He hung up.
SCENE 28 · 54:00–56:00BEAT 03/20 · 54:12
I felt wonduhful. Then terrible. Then hungry. That is how independence usually goes. A few days latuh,
SCENE 28 · 54:00–56:00BEAT 04/20 · 54:18
the man with the camera called and said they wanted me to come back and talk again. I said, ah you paying?
SCENE 28 · 54:00–56:00BEAT 05/20 · 54:24
He said, not exactly. I said, then am I at least allowed to smoke? He said, yes.
SCENE 28 · 54:00–56:00BEAT 06/20 · 54:30
I said, fine, that’s almost a salary. I went down and theah wuh maw people this time, because apparently my collapse had drawn interest.
SCENE 28 · 54:00–56:00BEAT 07/20 · 54:36
They put me on a couch and said, just continue. I said, from hweah? They said, hwerevuh you left off.
SCENE 28 · 54:00–56:00BEAT 08/20 · 54:42
I said, dahling, I nevuh leave off. I only change rooms. So I stahted again.
SCENE 28 · 54:00–56:00BEAT 09/20 · 54:48
I talked about the judge, the museum, the ahmaw, my mothuh’s gloves, the hundred dollahs, the hand consultant, the woman in the leopahd hat,
SCENE 28 · 54:00–56:00BEAT 10/20 · 54:54
the doctaw upstayuhs playing piano hwile the lowuh floaws went primitive. I talked until my mouth felt like a separate puhson.
SCENE 28 · 54:00–56:00BEAT 11/20 · 55:00
At some point I fawgot the camera and began talking to no one, hwich is the only honest audience.
SCENE 28 · 54:00–56:00BEAT 12/20 · 55:06
I said, the whole thing is that everyone wants a woman to be natural ahftuh hours of arrangement.
SCENE 28 · 54:00–56:00BEAT 13/20 · 55:12
Natural hayuh that has been set, natural skin unduh powduh, natural chahm ahftuh terraw, natural love ahftuh bahgaining, natural obedience ahftuh insult.
SCENE 28 · 54:00–56:00BEAT 14/20 · 55:18
And if you refuse, they say you’re ahtificial. But ahtificial is just natuh with witnesses. Everyone was very quiet.
SCENE 28 · 54:00–56:00BEAT 15/20 · 55:24
I thought puhhaps I had gone too fah, but then I realized too fah is anothuh place invented by people who own maps.
SCENE 28 · 54:00–56:00BEAT 16/20 · 55:30
I kept going. I said, hwen I was a child I thought adults nyoo hwat they wuh doing.
SCENE 28 · 54:00–56:00BEAT 17/20 · 55:36
Then I became an adult and discovered they wuh all improvising with bettuh shoes. My mothuh improvised respectability.
SCENE 28 · 54:00–56:00BEAT 18/20 · 55:42
My fathuh improvised authority. The Swiss man improvised tragedy. The psychiatrist improvised science. The photographuh improvised beauty. The judge improvised awduh.
SCENE 28 · 54:00–56:00BEAT 19/20 · 55:48
And I improvised suhvival, hwich is apparently bad mannuhs. Then I stopped. Not because I had nothing to say,
SCENE 28 · 54:00–56:00BEAT 20/20 · 55:54
but because faw once I wanted to keep something. Everyone looked disappointed. That pleased me. Disappointment is the beginning of boundaries.
SCENE 29 · 56:00–58:00BEAT 01/20 · 56:00
On the way home I bought myself flowuhs with the beauty salon money, befaw the jaywalking cawt could spiritually reclaim it.
SCENE 29 · 56:00–58:00BEAT 02/20 · 56:06
Cheap flowuhs from a man on the cawnuh, already dying, hwich is the only kind I trust.
SCENE 29 · 56:00–58:00BEAT 03/20 · 56:12
I carried them home wrapped in newspapuh, and my sistuh said, who sent those? I said, my scalp. She said, hwat?
SCENE 29 · 56:00–58:00BEAT 04/20 · 56:18
I said, legal damages. She said, you bought yawself flowuhs? I said, yes. She said, that’s pathetic.
SCENE 29 · 56:00–58:00BEAT 05/20 · 56:24
I said, no, dahling, that’s civilization. We put them in a milk bottle because we had no vase,
SCENE 29 · 56:00–58:00BEAT 06/20 · 56:30
and they looked puhfect on the coffee table acquired through patuhnal panic. The whole room suddenly looked like a life.
SCENE 29 · 56:00–58:00BEAT 07/20 · 56:36
Not a good life, not a stable life, not a life anyone would recommend to daughtuhs, but a life with flowuhs.
SCENE 29 · 56:00–58:00BEAT 08/20 · 56:42
I thought, maybe that’s enough faw one evening. A rug, a couch, a sistuh, and flowuhs paid faw by injury. Almost domestic.
SCENE 29 · 56:00–58:00BEAT 09/20 · 56:48
Then my mothuh called and said, yaw fathuh huhd you insulted the Swiss man. I said, hwich time? She said, don’t be clevuh.
SCENE 29 · 56:00–58:00BEAT 10/20 · 56:54
I said, Mothuh, I have very few mahketable skills. She said, he may nevuh speak to us again.
SCENE 29 · 56:00–58:00BEAT 11/20 · 57:00
I said, promise? She said, you ah impossible. I said, no, I’m possible. That’s the trouble.
SCENE 29 · 56:00–58:00BEAT 12/20 · 57:06
I keep being possible ahftuh everyone has finished with me. And that, I suppose, is hwat I wanted to say befaw I got
SCENE 29 · 56:00–58:00BEAT 13/20 · 57:12
interrupted by all these people with theah laws and legs and theories. I am not the right guhl.
SCENE 29 · 56:00–58:00BEAT 14/20 · 57:18
Not faw the salon, not faw the cawt, not faw the club, not faw the restaurant with the lemon wrapped up like a christening,
SCENE 29 · 56:00–58:00BEAT 15/20 · 57:24
not faw the man with the hwip, not faw the man with the camera,
SCENE 29 · 56:00–58:00BEAT 16/20 · 57:30
not even faw the museum unless I’m allowed to talk back to the paintings. I am the wrong guhl who keeps arriving anyway, late,
SCENE 29 · 56:00–58:00BEAT 17/20 · 57:36
unduhdressed, overexcited, with one boot and a story. And if they say, hwat happened to yaw hayuh, I’ll say history.
SCENE 29 · 56:00–58:00BEAT 18/20 · 57:42
If they say, hwat happened to yaw hands, I’ll say wuhk. If they say, hwat happened to yaw mannuhs, I’ll say evidence.
SCENE 29 · 56:00–58:00BEAT 19/20 · 57:48
If they say, hwat happened to yaw innocence, I’ll say it was retouched.
SCENE 29 · 56:00–58:00BEAT 20/20 · 57:54
And if they say, hwy ah you lahfing, I’ll say because I tried screaming and that wuhked too, but lahfing travels bettuh through walls.