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This is an artist's run server presently under reorganization. Here provides a digital environment specifically for the purposes of communicating art and communicating about art, and also programming and delivering it. Bless this mess.
This reorganization will make the site somewhat smaller, with many structural and content modifications.Subdomains (http://*.viki.wiki) are launched automatically. Members of the public are cordially invited to share in a tangled, layered network that obeys new socio-technical rules.
Victoria Campbell ⇒ Spike Art Magazine ⇒ Print ⇒ Past Exhibition ⇒ Curriculum Vitae ⇒ Campbell Carolan ⇒ The Marcel Duchamp Fund of the American Chess Foundation ⇒ Nock
Pages where we do and share...
The poetic complexity of the 1909 Futurist Manifesto lies in the difficulty AI has when prompted to evolve it. I asked ChatGPT to complete unfinished portions of the Futurist Manifesto to test poetic emergence based on some ideas in Brian's recent writings on metaphor. The following attempt to vibe code the tormented and decadent cerebralism that provides Mark Andreessen's techno-optimist manifesto with the authority of an avant-garde “never ends, but instead spirals continuously upward."
Christopher Alexander closes his 1996 OOPSLA keynote with an unexpected call to action: apply programming's power to the generation of a living world. transcript
A week or two ago, I started a post on the ontology of software systems.
Recent mentions...
— Platinum Age Gymnosophist 𐐝𐐮𐐾𐐮𐑊𐐰𐑌𐐻𐐨 (@sigilante) October 21, 2024
excited to join these great women in STEM at Earth for what I have been told will be "a late night talk-show format with music guests". As for a rumoured CityIICity afterparty, please wait for further information https://t.co/NmNkN5hT0U
— ཊལབསརངཧ (@David_Rudnick) April 30, 2024
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