Testing the acuity of GPT-3 against Roberto Bolano's 2666. I asked GPT-3 chat to reverse the gendered nouns in The Part with the Crimes, a notorious passage in contemporary literature for its clinical depictions of gynocide in a noir setting.
>With Part 4, we dive head first into the darkness Bolaño has been circumnavigating for the first three parts. We’ve heard about, maybe even feared, the mass murders of young women in Santa Teresa, but here they come front and center. So front and center, in fact, that little else penetrates this part. Bolaño rushes the line of numbing us to these terrors, goes over it, and then continually shocks us back to sensitivity. How, then, is it such a masterpiece of writing? site 
The Part with the Crimes reversed. (Here we contain violence in modern literature, and proceed with reading as volition. Trigger warning.)